David Bordwell’s Poetics of Cinema—Yet another excellent review
As featured in The Evolutionary Review
In "Understanding Cinema: Poetic Films and Embodied Viewers", Daniel Barratt writes:
"Bordwell’s primary interest, indeed his passion, is the ﬁlm itself. Throughout his book, he writes with an infectious enthusiasm and demonstrates an encyclopedic knowledge of ﬁlm, dotting the text with numerous ﬁlm citations and plot synopses. Film scenes and sequences are analyzed shot by shot, with extensive use of frame stills (more than ﬁve hundred). He gives close attention to the subtle details of ﬁlm style, such as camera framings and the choreographed movements of actors. All this exempliﬁes “rational and empirical enquiry” (3). The truth is out there, he believes, though it is no doubt messy and complicated."
Read the entire piece in The Evolutionary Review here.
Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are...
Published October 18th 2007 by Routledge