Critical Dictionary of Film and Television Theory
Edited by Roberta Pearson, Philip Simpson
Published November 16th 2000 by Routledge – 528 pages
Published November 16th 2000 by Routledge – 528 pages
The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms.
This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality
Consultant Editors:
David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University,
UK ,Elayne Rapping, USA
'Graduate students in culture studies and related fields will find the Dictionary most useful.' - Choice
'The volume will be a good reference source for a range of courses at undergraduate level.' - Art, Design & Communication - Learning and Teaching Support Network
Name: Critical Dictionary of Film and Television Theory (Hardback) – Routledge
Description: Edited by Roberta Pearson, Philip Simpson. The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms.This dictionary provides readers with the...
Categories: Cultural Studies, General Reference