Shakespeare Without Women
Published November 4th 1999 by Routledge – 240 pages
Series: Accents on Shakespeare
Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays.
Introduction: Cleopatra had a way with Her 1. And All is Semblatice a Women's Part: Body Politics and Twelfth Night 2. The Castrator's Song: Female Impersonation on the Early Modern Stage 3. 'Othello was a White Man': Properties of Race on Shakespeare's Stage 4. Irish Memories in The Tempest 5. What is an Audience? Bibliography Index