Modernity, Nationalism and the Colonial Uncanny
Published April 25th 2005 by Routledge – 336 pages
Representing Calcutta is a spatial history of the colonial city, and addresses the question of modernity that haunts our perception of Calcutta. The book responds to two inter-related concerns about the city. First is the image of Calcutta as the worst case scenario of a Third World city -- the proverbial 'city of dreadful nights.' Second is the changing nature of the city’s public spaces -- the demise of certain forms of urban sociality that has been mourned in recent literature as the passing of Bengali modernity. By examining architecture, city plans, paintings, literature, and official reports through the lens of postcolonial, feminist, and spatial theory, the book explores the conditions of colonialism and anti-colonial nationalism that produced the city as a modern artefact. At the centre of this exploration resides the problem of 'representing' the city, representation understood as description and narration, as well as political representation. In doing so, Chattopadhyay questions the very idea of colonial cities as creations of the colonizers, and the model of colonial cities as dual cities, split in black and white areas, in favour of a more complicated view of the topography.
'The author ably juggles racial, gendered, moral, architectural, literary and artistic geographies to craft a highly innovative, scholarly and stylishly executed study … on a personal note, as the granddaughter of a suburban Calcutta architect I particularly welcome this book.' - Social & Cultural Geography
Introduction: The City in Historical Imagination 1. The Colonial Uncanny 2. The Limits of "White" Town 3. Locating Mythic Selves 4. Telling Stories 5. Death in Public. Conclusion: The Politics of Representation
Swati Chattopadhyay is a Professor in the Department of History of Art and Architecture, University of California, Santa Barbara, USA. She is an architect and architectural historian, specializing in modern architecture and the cultural landscape of British colonialism.