Edited by Amy Coplan, David Davies
Routledge – 2015 – 186 pages
Series: Philosophers on Film
Ridley Scott’s Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions from what it is to be human and to the nature of consciousness.
This is the first book to explore and address these questions and more from a philosophical point of view. Beginning with a helpful introduction, specially commissioned chapters examine the following questions:
Including a biography of the director and annotated further reading at the end of each chapter, Blade Runner is essential reading for students interested in philosophy and film studies.
Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.
1. Introduction Amy Coplan and David Davies 2. Elegy in LA: Blade Runner, empathy, and death Berys Gaut 3. ‘More human than human’: Blade Runner and being-toward-death Peter Atterton 4. Replicant love: Blade Runner Voight-Kampffed C. D. C. Reeve 5. Do humans dream of emotional machines? Colin Allen 6. Zhora through the looking-glass: notes on an esper analysis of Leon’s photograph Stephen Mulhall 7. In the mood for thought: mood and meaning in Ridley Scott’s Blade Runner Amy Coplan 8. Blade Runner and the cognitive values of cinema David Davies. Index
Amy Coplan is Associate Professor and Chair of Philosophy at California State University, Fullerton, USA. She is the co-editor, with Peter Goldie, of Empathy: Philosophical and Psychological Perspectives (2011).
David Davies is Professor of Philosophy at McGill University, Canada. He is the author of Art as Performance (2004), Aesthetics and Literature (2007), and Philosophy of the Performing Arts (2011), and editor of The Thin Red Line (Routledge, 2008).