Edited by Katalin Makkai
Routledge – 2010 – 228 pages
Series: Philosophers on Film
Released in 1958, Vertigo is widely regarded as Alfred Hitchcock’s masterpiece and one of the greatest films of all time. This is the first book devoted to exploring the philosophical aspects of Vertigo. Following an introduction by the editor that places the film in context, each chapter reflects upon Hitchcock’s filmfrom a philosophical perspective. Topics discussed include:
Including annotated further reading at the end of each chapter, this collection is essential reading for anyone interested in Vertigo, and an ideal resource for students of film and philosophy.
"Was Hitchcock merely a master of suspense, or as his French critics believed, also a master of ideas? This volume of stimulating, philosophically inclined interpretations of his magnificent film Vertigo proves that the French were right." - Richard Allen, New York University, USA
"Vertigo is arguably Hitchcock's masterpiece. This valuable collection helps reveal the many respects in which it is also his most philosophically engaging film." - Paul Muench, University of Montana, USA
Introduction, Katalin Makkai 1. Magic and Art in Vertigo, Nickolas Pappas 2. Scottie’s Dream, Judy’s Plan, Madeleine’s Revenge, William Rothman 3. Vertigo: The Impossible Love, Noël Carroll 4. Offensive, Charles Warren 5. A Made-to-Order Witness: Women’s Knowledge in Vertigo, Gregg M. Horowitz 6. Vertigo and Being Seen, Katalin Makkai 7. Being-in-(Techni)Color, Eli Friedlander 8. Vertigo and the Spectator of Film Analysis, Andrew Klevan. Index
Katalin Makkai is Junior Professor of Philosophy at ECLA of Bard, Berlin (Germany). She is the author of "Kant on Recognizing Beauty," which appeared in European Journal of Philosophy.