Skip to Content

Aesthetic Modernism and Masculinity in Fascist Italy

By John Champagne

Routledge – 2012 – 224 pages

Series: Popular Culture and World Politics

Purchasing Options:

  • Add to CartPaperback: $44.95
    978-1-13-880815-7
    June 22nd 2014
  • Add to CartHardback: $135.00
    978-0-415-52862-7
    August 16th 2012

Description

Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing.

Champagne seeks to evaluate how the aesthetic analysis of the artefacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something – like masculinity – is rendered as being an element of world politics, and how such an understanding differs from more orthodox ‘cultural’ analyses common to international relations.

Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history.

Contents

Introduction: Beyond Virility, Chapter 1. Fascism, Modernism, and the Contradictions of Capitalism, Chapter 2. Pirandello Fascista? Modernism and The Theater of Masculinity Chapter 3. The Dandy, the Mystic, and the Tonalists: Italian Modernist Painting and the Male Body Chapter 4. “A Glimpse Through an Interstice Caught: Fascism and Mario Castelnuovo-Tedescos Calamus Songs” Chapter 5. Giorgio Bassani and Italian “Queers” of the 1930s” Conclusion: “Beyond” Fascism?

Author Bio

John Champagne is an Associate Professor of English at Penn State Erie, the Behrend College, and a Visiting Professor of Communications at John Cabot University, Rome. He writes on gender and sexuality in modern culture; a critic and novelist, he is the author of three previous books.

Name: Aesthetic Modernism and Masculinity in Fascist Italy (Hardback)Routledge 
Description: By John Champagne. Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining...
Categories: Politics & International Relations, Fascism & Nazism, Popular Culture, Italian Politics, History of Art, Visual Culture, International Politics