Britishness, Popular Music, and National Identity

This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than a history of popular music, or an attempt to identify indigenous qualities in a popular music tradition, it exposes and interrogates the influential cultural and nationalist rhetoric around popular music — and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern cultural British identity, a position enforced in popular culture, literature, news and music media, political rhetoric, and in popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce, identifying two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, proscribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive interrogation of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.