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Medieval Monstrosity and the Female Body

By Sarah Alison Miller

Routledge – 2010 – 226 pages

Series: Routledge Studies in Medieval Religion and Culture

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  • Add to CartHardback: $150.00
    978-0-415-87359-8
    June 24th 2010

Description

The medieval monster is a slippery construct, and its referents include a range of religious, racial, and corporeal aberrations. In this study, Miller argues that one incarnation of monstrosity in the Middle Ages—the female body—exists in special relation to medieval teratology insofar as it resists the customary marginalization that defined most other monstrous groups in the Middle Ages. Though medieval maps located the monstrous races on the distant margins of the civilized world, the monstrous female body took the form of mother, sister, wife, and daughter. It was, therefore, pervasive, proximate, and necessary on social, sexual, and reproductive grounds. Miller considers several significant texts representing authoritative discourses on female monstrosity in the Middle Ages: the Pseudo-Ovidian poem, De vetula (The Old Woman); a treatise on human generation erroneously attributed to Albert the Great, De secretis mulierum (On the Secrets of Women), and Julian of Norwich’s Showings. Through comparative analysis, Miller grapples with the monster’s semantic flexibility while simultaneously working towards a composite image of late-medieval female monstrosity whose features are stable enough to define. Whether this body is discursively constructed as an Ovidian body, a medicalized body, or a mystical body, its corporeal boundaries fail to form properly: it is a body out of bounds.

Reviews

"This is a fine, stimulating book which constructs a subtle, complex argument not only about monsters, but the theorizing of men and women in the thirteenth and fourtteenth centuries."

-- The Medieval Review

"Makes a significant contribution to our understanding of the complex workings of medieval teratological discourse, its constructive and deconstructive capacities, and its role within the formation of medieval socioreligious material and textual identities."

- Journal of British Studies

Contents

Acknowledgments Introduction: The Monstrous Borders of the Female Body 1: Ovidian Poetry, Virgins, Mothers, and Monsters: Ovidian and Pseudo-Ovidian Bodies 2: Gynecology, Gynecological Secrets: Blood, Seed, and Monstrous Births in De secretis mulierum 3: Mystical Theology, Monstrous Love: The Permeable Body of Christ in Julian of Norwich’s Showings Conclusion: The Monstrous Borders of the Self Notes Bibliography Index

Author Bio

Sarah Alison Miller is as assistant professor of Classics at Duquesne University.

Name: Medieval Monstrosity and the Female Body (Hardback)Routledge 
Description: By Sarah Alison Miller. The medieval monster is a slippery construct, and its referents include a range of religious, racial, and corporeal aberrations. In this study, Miller argues that one incarnation of monstrosity in the Middle Ages—the female...
Categories: Medieval Literature, Medieval History 400-1500, Gender