Philosophy and Film
Edited by Cynthia A. Freeland, Thomas E. Wartenberg
Routledge – 1995 – 270 pages
Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.
"The individual analyses of films by Kubrick, Holland, Bergman, and Spike Lee, and of the melodramatic tradition from Casablanca (1942) to Ghost (1990), are insightful in their theoretical applications." -- Choice