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The Tower of London in English Renaissance Drama

Icon of Opposition

By Kristen Deiter

Routledge – 2008 – 260 pages

Series: Literary Criticism and Cultural Theory

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    978-0-415-76254-0
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Description

The Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.

Contents

List of Images

Acknowledgments

Chapter One: Introduction: Historicizing Original Tower Play Audiences

Chapter Two: The Tower of London as a Cultural Icon before the Tower Plays

Chapter Three: Stage vs. State: The Struggle for the Tower

Chapter Four: The Tower of London: Dramatic Emblem of Opposition

Chapter Five: Reading English Nationhood in the Dramatic Tower of London

Coda: The Tower of London: An Evolving Icon

Notes

Bibliography

Index

Author Bio

Kristen Deiter is Assistant Professor of English at Tennessee Technological University, USA.

Name: The Tower of London in English Renaissance Drama: Icon of Opposition (Hardback)Routledge 
Description: By Kristen Deiter. The Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe...
Categories: British Literature, Literary History, Early Modern/Renaissance Literature