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Master Narratives and their Discontents

By James Elkins

Routledge – 2005 – 200 pages

Series: Theories of Modernism and Postmodernism in the Visual Arts

Purchasing Options:

  • Add to CartPaperback: $33.95
    978-0-415-97270-3
    August 16th 2005
  • Add to CartHardback: $140.00
    978-0-415-97269-7
    August 16th 2005

Description

In this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does.

Both a cogent overview of the state of thinking about art and a challenge to think outside the art historical box, Master Narratives and their Discontents is the first volume in a series of short books on the theories of modernism by leading art historians on twentieth-century art and art criticism.

Author Bio

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is the author of Pictures and Tears, How to Use Your Eyes, and What Painting Is and, most recently, of Visual Studies: A Skeptical Introduction and The Strange Place of Religion in Contemporary Art, all published by Routledge.

Name: Master Narratives and their Discontents (Paperback)Routledge 
Description: By James Elkins. In this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for...
Categories: Art & Visual Culture, Cultural Studies