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1-5 of 5 results for Author: sheila whiteley (sorted by Publication Date, showing all)
  1. Queering the Popular Pitch

    Edited by Sheila Whiteley, Jennifer Rycenga

    Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -...

    Published May 5th 2006 by Routledge

  2. Too Much Too Young

    Popular Music Age and Gender

    By Sheila Whiteley

    Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and...

    Published March 23rd 2005 by Routledge

  3. Women and Popular Music

    Sexuality, Identity and Subjectivity

    By Sheila Whiteley

    Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture. Sheila Whiteley begins by examining the counter-culture's reactionary attitudes to women through the lyrics of The Beatles and The Rolling Stones. She explores the...

    Published July 6th 2000 by Routledge

  4. Sexing the Groove

    Popular Music and Gender

    Edited by Sheila Whiteley

    Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw,...

    Published October 2nd 1997 by Routledge

  5. The Space Between the Notes

    Rock and the Counter-Culture

    By Sheila Whiteley

    The Space Between the Notes examines a series of relationships central to sixties counter-culture: psychedelic coding and rock music, the Rolling Stones and Charles Manson, the Beatles and the `Summers of love', Jimi Hendrix and hallucinogenics, Pink Floyd and space rock. Sheila Whiteley combines...

    Published April 9th 1992 by Routledge

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