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1-5 of 5 results for Author: simon frith (sorted by Publication Date, showing all)
  1. Music and Copyright

    2nd Edition

    Edited by Lee Marshall, Simon Frith

    "First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."...

    Published August 3rd 2004 by Routledge

  2. Popular Music

    Critical Concepts in Media and Cultural Studies

    Edited by Simon Frith

    Series: Critical Concepts in Media and Cultural Studies

    Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider...

    Published January 22nd 2004 by Routledge

  3. Rock and Popular Music

    Politics, Policies, Institutions

    Edited by Tony Bennett, Simon Frith, Larry Grossberg, John Shepherd, Graeme Turner

    Series: Culture: Policy and Politics

    Rock and Popular Music examines the relations between the policies and institutions which regulate contemporary popular music and the political debates, contradictions and struggles in which those musics are involved.International in its scope and conception, this innovative collection explores the...

    Published November 4th 1993 by Routledge

  4. Sound and Vision

    The Music Video Reader

    Edited by Simon Frith, Andrew Goodwin, Lawrence Grossberg

    Sound and Vision is the first significant collection of new and classic texts on video and brings together some of the leading international cultural and music critics writing today. Addressing one of the most controversial forms of popular culture in the contemporary world, Sound and Vision...

    Published June 17th 1993 by Routledge

  5. On Record

    Rock, Pop and the Written Word

    By Simon Frith, Andrew Goodwin

    Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors...

    Published July 12th 1990 by Routledge

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