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Practice & Practitioners Books

You are currently browsing 51–60 of 295 new and published books in the subject of Practice & Practitioners — sorted by publish date from newer books to older books.

For books that are not yet published; please browse forthcoming books.

New and Published Books – Page 6

  1. Stanislavski: The Basics

    By Rose Whyman

    Series: The Basics

    Stanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator of twentieth century theatre, this book examines Stanislavski's: life and the context of his writings major works in English translation...

    Published December 16th 2012 by Routledge

  2. Theatre in Practice

    A Student's Handbook

    By Nick O'Brien, Annie Sutton

    Theatre in Practice provides students with all of the ‘must have’ Drama skills required for A-Level, International Baccalaureate, BTEC and beyond. Practical, step-by-step exercises and diagrams give access to the key figures and processes central to drama, including: Stanislavski, Brecht, Lecoq...

    Published November 5th 2012 by Routledge

  3. Contemporary Mise en Scène

    Staging Theatre Today

    By Patrice Pavis

    ‘We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to...

    Published October 28th 2012 by Routledge

  4. Ensemble Theatre Making

    A Practical Guide

    By Rose Burnett Bonczek, David Storck

    Ensemble Theatre Making: A Practical Guide is the first comprehensive diagnostic handbook for building, caring for, and maintaining an ensemble. Successful ensembles don’t happen by chance; they must be created, nurtured, and maintained through specific actions. Achieving common goals in rehearsal...

    Published October 9th 2012 by Routledge

  5. Yevgeny Vakhtangov

    A Critical Portrait

    By Andrei Malaev-Babel

    Yevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language...

    Published October 2nd 2012 by Routledge

  6. The Expressive Actor

    Integrated Voice, Movement and Acting Training

    By Michael Lugering

    "The study of acting should not begin with an exploration of feeling, perception, imagination, memories, intention, personalization, self-identification... or even performance—but physical action." Michael Lugering's The Expressive Actor presents a foundational, preparatory training method, using...

    Published October 2nd 2012 by Routledge

  7. Embodied Acting

    What Neuroscience Tells Us About Performance

    By Rick Kemp

    ‘A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor’s body.’ – from the Introduction Embodied Acting...

    Published August 20th 2012 by Routledge

  8. Understanding Disability Studies and Performance Studies

    Edited by Bruce Henderson, Noam Ostrander

    This collection brings together scholarship and creative writing that brings together two of the most innovative fields to emerge from critical and cultural studies in the past few decades: Disability studies and performance studies. It draws on writings about such media as live performance...

    Published July 25th 2012 by Routledge

  9. Maria Irene Fornes

    By Scott T. Cummings

    Series: Routledge Modern and Contemporary Dramatists

    Maria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her...

    Published July 11th 2012 by Routledge

  10. So Therefore...

    A Practical Guide For Actors

    By Al Ruscio

    ‘Every scene or action or speech has a so therefore. It is the goal, the ultimate statement of the character. You should know the so therefore as you begin your scene ... The climax and the payoff is the so therefore.’ – from Al Ruscio’s Preface When working through a scene with a student,...

    Published June 24th 2012 by Routledge