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Acting Books

You are currently browsing 11–20 of 95 new and published books in the subject of Acting — sorted by publish date from newer books to older books.

For books that are not yet published; please browse forthcoming books.

New and Published Books – Page 2

  1. Stepping Stones

    By Ingemar Lindh

    Edited by Frank Camilleri

    Series: Routledge Icarus

    Stepping Stones is the book of a practitioner. It documents the work of a laboratory-based practice that investigated the principles of collective improvisation as a performance practice. Though the dynamics and mechanisms of collective work and improvisation have been amply researched in training...

    Published August 21st 2013 by Routledge

  2. Grotowski & Company

    By Ludwik Flaszen

    Series: Routledge Icarus

    This collection of texts by Ludwik Flaszen, Grotowski's main collaborator and co-founder of the Teatr 13 Rzedow (later the Teatr Laboratorium), gathers together key texts, nearly all of which have never before been published in English. These include lectures, papers on issues such as actor...

    Published August 21st 2013 by Routledge

  3. Core Training For The Relational Actor

    By Alison Hodge

    Alison Hodge is one of the most original actor-trainers working today. Founder of the international The Quick and the Dead ensemble, she has developed a uniquely embodied and relational approach to acting and live performance. Core Training encourages a profound awareness of actors’...

    Published June 3rd 2013 by Routledge

  4. Acting Power

    The 21st Century Edition

    By Robert Cohen

    ‘Robert Cohen’s book, Acting Power, follows the tradition of his other book, Acting One, and has been the veritable bible for acting teachers for the last quarter century.’ – David Krasner, Emerson College ‘This book, above all else, is an attempt to explore the qualities of acting power.... to...

    Published March 1st 2013 by Routledge

  5. The Craft of Comedy

    By Athene Seyler, Stephen Haggard

    Edited by Robert Barton

    "a work on the art and craft of comedy as important in its own way as works by Stanislavski and Chekhov" – Oxford Theatre Companion In 1939, a young, inexperienced actor wrote to a famous actress of his acquaintance, asking for advice on playing comedy. She responded enthusiastically, and they...

    Published December 21st 2012 by Routledge

  6. The Heart of Teaching

    Empowering Students in the Performing Arts

    By Stephen Wangh

    The Heart of Teaching is a book about teaching and learning in the performing arts. Its focus is on the inner dynamics of teaching: the processes by which teachers can promote—or undermine—creativity itself. It covers the many issues that teachers, directors and choreographers experience, from...

    Published December 18th 2012 by Routledge

  7. Stanislavski: The Basics

    By Rose Whyman

    Series: The Basics

    Stanislavski: The Basics is an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator of twentieth century theatre, this book examines Stanislavski's: life and the context of his writings major works in English translation...

    Published December 17th 2012 by Routledge

  8. The Expressive Actor

    Integrated Voice, Movement and Acting Training

    By Michael Lugering

    "The study of acting should not begin with an exploration of feeling, perception, imagination, memories, intention, personalization, self-identification... or even performance—but physical action." Michael Lugering's The Expressive Actor presents a foundational, preparatory training method, using...

    Published October 3rd 2012 by Routledge

  9. Embodied Acting

    What Neuroscience Tells Us About Performance

    By Rick Kemp

    ‘A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor’s body.’ – from the Introduction Embodied Acting...

    Published August 21st 2012 by Routledge

  10. So Therefore...

    A Practical Guide For Actors

    By Al Ruscio

    ‘Every scene or action or speech has a so therefore. It is the goal, the ultimate statement of the character. You should know the so therefore as you begin your scene ... The climax and the payoff is the so therefore.’ – from Al Ruscio’s Preface When working through a scene with a student,...

    Published June 25th 2012 by Routledge