Chapter 8: Performing Rights Societies
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About
In this chapter, you will see the main ways artists earn money through performances.
Key Terms
Performing rights societies
Underlying composition
Exclusive right to publicly perform a work
Non-dramatic musical works
Direct license vs. blanket license
Compulsory license
CISAC
Non-interactive vs. interactive radio
Statutory rate
Census and sampling
Flashcards
Quizzes
Video
Exclusive CNN videos with KISS band members
http://cnnpresents.blogs.cnn.com/2011/10/19/kiss-the-band-and-the-brand/?iid=EL
http://money.cnn.com/2011/10/18/news/kiss_products/index.htm
Weblinks
Sneak Attack Media
http://sneakattackmedia.com/
Women in Music
http://womeninmusic.org/wp/
ASCAP
http://Ascap.com
BMI
http://Bmi.com
SESAC
http://Sesac.com
CISAC
http://www.cisac.org
List of international rights organizations
http://BMI.com/international/entry/C2258
Digital Performance Right in Sound Recordings Act of 1995 (DPRA) http://www.copyright.gov/legislation/pl104-39.html
Digital Millennium Copyright Act of 1998 (DMCA)
http://www.copyright.gov/legislation/dmca.pdf
SoundExchange
http://www.soundexchange.com/
Digital Data Exchange (DDEX)
http://www.ddex.net/
Songwriters Hall of Fame
http://songwritershalloffame.org/exhibits/eras/C1109
Article:
James Robinson, “Backing up the Band,” Dominion Post (New Zealand), March 31, 2012 (accessed 4/29/12)
This is an article about Angus Vail, KISS business manager
http://stuff.co.nz/waikato-times/life-style/arts/6706194/Backing-the-band