Chapter 8: Performing Rights Societies

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About

In this chapter, you will see the main ways artists earn money through performances.

Key Terms

Performing rights societies

Underlying composition

Exclusive right to publicly perform a work

Non-dramatic musical works

Direct license vs. blanket license

Compulsory license

CISAC

Non-interactive vs. interactive radio

Statutory rate

Census and sampling

Flashcards

Quizzes

Weblinks

Sneak Attack Media
http://sneakattackmedia.com/

Women in Music
http://womeninmusic.org/wp/

ASCAP
http://Ascap.com

BMI
http://Bmi.com

SESAC
http://Sesac.com

CISAC
http://www.cisac.org

List of international rights organizations
http://BMI.com/international/entry/C2258

Digital Performance Right in Sound Recordings Act of 1995 (DPRA) http://www.copyright.gov/legislation/pl104-39.html

Digital Millennium Copyright Act of 1998 (DMCA)
http://www.copyright.gov/legislation/dmca.pdf

SoundExchange
http://www.soundexchange.com/

Digital Data Exchange (DDEX)
http://www.ddex.net/

Songwriters Hall of Fame
http://songwritershalloffame.org/exhibits/eras/C1109

Article:
James Robinson, “Backing up the Band,” Dominion Post (New Zealand), March 31, 2012 (accessed 4/29/12)
This is an article about Angus Vail, KISS business manager
http://stuff.co.nz/waikato-times/life-style/arts/6706194/Backing-the-band